We’re seeing more & more disabled characters pop up in picture books. Maybe disability is finally having a moment.
Since we posted our disability tropes in picture books, we’ve been asked for something similar just for illustration.
There are some wonderful examples of beautifully illustrated disabled characters out there. Here are some of our favourites, by a mix of disabled and non-disabled illustrators.
If you’re a non-disabled illustrator (without a bucket-load of research or a disabled author to guide you) we’d strongly advise against creating a main character with a disability.
But a disabled character in a group or a crowd scene can be a good move.
The trouble is, with any group we aren’t part of we all have stereotypes in our subconscious. The ‘sassy’ Black friend. The ‘flamboyant’ gay friend. (Hm, both sidekicks…) We’ve all been fed these stereotypes again and again – of course they stick. For us too.
It’s something we have to watch out for as literary agents, especially with marginalised groups we don’t belong to.
Inevitably, if you’re working to deadline and looking to include a disabled character in a crowd scene, the clichés might be what you reach for. Because they’re familiar.
So here are a few examples we’re particularly aware of:
- Wheelchair users are girls. Almost always.
- Amputees are boys or men. Almost always.
- Amputees usually wear prosthetic limbs.
- People with facial disfigurements tend to be boys.
- Wheelchairs are manual – not powerchairs.
- Wheelchair users are full-time, non-walking (though in fact, most can walk).
Of course we’re not saying never put a girl in a manual wheelchair in a crowd scene. Girls in wheelchairs exist! But it’s worth knowing there are a lot of them.
There are reasons that these stereotypes come up again and again – which we hope to go into in another post. They exist across all media – it’s inevitable they’re reflected in picture books and illustration too.
You may have noticed, we actually personally fit these stereotypes.
A man who’s an amputee, and a non-ambulatory manual wheelchair-using woman. We exist, too!
But if every illustrator reaches for the same couple of disabilities within the same genders, we end up with unintentional uniformity.
Which doesn’t really represent real life.
Here are some things it’d be great to see more of:
- crutches, sticks & other mobility aids
- disabled adults – especially parents, and adults with jobs!
- amputees without prosthetics
- ambulatory (part-time) wheelchair users
- characters with dwarfism
- blind characters
And on wheelchairs – which are inevitably popular – a few things to be aware of:
- Our feet sit on a footplate, NOT the ground. (Which makes sense if you think about it – how on earth would that work?!)
- There’s a big difference between a temporary, hospital wheelchair and a more serious, aspirational chair.
- Most wheelchair users propel their own chairs.
And many, many places are simply inaccessible to wheelchairs. We can’t glide up steep hills or fly up steps.
Make it make sense!
Disability isn’t an aesthetic choice. Research is your friend.
NB: As an amputee & a wheelchair user, that’s our bias. We’re interested to hear from other disabled readers. And would like to thank the commenter on Instagram who pointed out that disabled adults ‘with jobs’ was an important gap – we’ve added it here.
(We posted a shorter version first on Instagram on the 15th February 2022)
Image one: A background photo of my wheelchair and James’s prosthetic leg – you can just see one wheel and the bottom of the leg. The leg is functional, metal with an incongruously realistic foot. They’re in the garden. Our text reads “Disability – tips for illustrators”
Image two: A page from Frida Kahlo: Little People Big Dreams.
Image three: A photo of us – a white man and woman with brown hair. We’re sitting – you can’t see we’re disabled. We’re holding books and smiling. Our text reads: “Disability – tips for illustrators, by real life disabled publishing people.”
Each image is a photo of a page of a book in which we think a disabled character has been particularly well illustrated. Our text reads: “Disability done well – illustration” on each image.
- Illustration from Can Bears Ski? by Polly Dunbar – showing the young bear character in a moment of peace in a quiet library. (Written by Raymond Antrobus.) (We represent Polly.)
- Illustration from I Am Not a Label by Lauren Baldo – of Eliza Suggs, a Black disabled woman dressed in C19th fashion. (Written by Cerrie Burnell.)
- Illustration from This Beach is Loud by Samantha Cotterill. A young child with brown skin sits on his father’s shoulders with his hands over his ears. Sensory overload is shown with colourful, large sound words overlapping and surrounding him.
- Illustration from What Happened to You? by Karen George . A one-legged white child stands happily, mid-game, with two friends. (Written by James!)
- Illustration from El Deafo by Cece Bell – a graphic novel. A deaf child-rabbit’s friend is shouting at them – ineffectively and irritatingly.
- Illustration from Mama Zooms by Jane Cowen-Fletcher – a child rides on his mother’s lap as she whizzes along a beachfront in her wheelchair.
- Illustration from Frida Kahlo: Little People Big Dreams, by Gee Fan Eng . Schoolgirl Frida stands slightly apart from the other girls. She’s wearing a leg brace. (Written by Maria Isabel Sánchez Vegara.)
Next image: a photo of Lucy in her wheelchair and James wearing a prosthetic leg. Lucy is pregnant and their daughter is between them.]